Anne at her press, the source of all this enigma.
Enigmatic Influence seemed a fitting title of this edition of the e-gallery if only because it’s the title of one of Anne’s recent creations (shown below). The word means mysterious, cryptic, and this one: resembling an enigma. (Very useful.) Such could be the title of the whole body of Anne’s work, what with the attention to the non-specific, the layers of intrigue, the half-buried colors, the hinted-at patterns, and the marvelous abundance of texture. Then there are the titles themselves, not too specific, but just enough to lead the mind…well…enigmatically.
Enigmatic Influence, 10×10. Click on pictures, and again for larger views.
The titles go on after the art is made, like a christening after a long gestation. The studio is fairly piled with creations in some mid-stage, already intriguing, possibly beautiful, but not quite “finished,” a judgment only the artist can call.
Drawing Conclusions, 7×24.
Naming them used to be something of a stress, it usually needing to happen quickly, like standing at the nurse’s desk in the hospital when the baby’s just been born and something needs to be put down on the certificate. The pressure of the moment may be caused at the framing stage, or the photography for the website or any advertising. After that, the name sticks, and it shouldn’t be plain or uncommitted, like “Untitled, Number 47.” It should have more intrigue, something rather hidden, something (here we go again) enigmatic.
Far and Wide, 7×24.
But how does one come up with an interesting title “on the spot”? These days Anne thinks ahead. Like an expectant mother, she collects names. She’s aware of words. As she reads her novels she finds things, or she hears expressions, or discovers them in her own ruminations. And there’s one for you, Ruminations, or, Ruminations on Runes, fitting for some of the abstruse half-verbiage printed or calligraphed in by Anne in the process. All very enigmatic, indeed.
Overshadowing the Present, 7×24.
These small renditions, sized for the parameters of the blog (hey, there’s another title), don’t do justice to the pieces. They really need to be seen full size and in person. (Another title?) Each piece is like it’s own alphabet, or a find on some archeological wall, or an accident of nature that just happened to come together in some perfect design if cropped right. Such things happen, but it still takes an eye to see it. And more to create it.
Did I say, “Anne Moore to create it”?
Figuratively Speaking, 10×10.
All these pieces, and more (there we go again), will be featured in upcoming shows. There’s a progression of such on the list below. It’s all part of the process, the creation, the naming, and then the finding of a good home. It’s kind of an adoption that way, with a lot of love manifested by all parties.
Momentary Achievement, 14×15.
Anne’s work has developed to a level that is completely unique…each piece, and the whole body. Her peers recognize it and marvel. Not that she keeps it to herself. Her students come and leave with a piece that looks a lot like hers, what with her instruction and use of the same elements and inks and plates and found objects.
Plumbing the Depths, 11.5×10.5.
Then there’s the paper the pieces are printed on. In the past, Anne sometimes made her own. These days a lot of it is found in specialty shops, imported from wherever. Or she brings it home from distant travels, like Thailand, Indonesia, and Japan. Sometimes the paper has it’s own texture, or weave, or even foreign elements bonded in. It all goes together to make each piece a fingerprint of its maker, with no two ever exactly alike. That’s why they’re called monotypes, “mono,” one.
Solace, 11×11.
The Asian calligraphy, where it appears, is purely design, not message. And why not? The calligraphers themselves have art as the larger part of their intent. It’s the same with the Arabic numerals, right side up or down. They’re random things, that come together for sense. Enigmatic sense, that is.
Sensibility, 11×9.
All these could end up in a museum someday. The show title could be Artifacts of a Mind. Meanwhile, they are all up for adoption. Happily there’s an ever-growing audience for these works, and an attention to the one who makes them. She’s certainly my favorite artist, and that’s with a discerning eye. Feel free to agree with me.
And come to one of the shows if you can.
See her website for more.
Upcoming Shows
Sandstone Gallery, this month’s featured artist: Anne Moore
opening this Thursday evening, March 5, 6:00-9:00 pm.
384-A North Coast Highway
Laguna Beach, California 92651
March 5-30, 12:00-5:00 (closed Tuesdays)
House/Studio Show this weekend
a pre-view and pre-sale of work going to the La Quinta Art Festival
33752 Big Sur
Dana Point, California, 92629
Saturday March 7, 4:00-10:00
Sunday March 8, 1:00-5:00
Studio Show Announcement.
La Quinta Art Festival
adjacent booths for Anne Moore and Hyatt Moore, a first for us
La Quinta Civic Center Campus, California
March 12-15, 10:00-5:00
www.lqaf.com
Current Shows
Ocean Hills Church, 50 paintings by Hyatt Moore
32222 Del Obispo
San Juan Capistrano, California 92675
Feb. 8-April 3, by appointment
Heritage Christian Fellowship, abstract paintings by Hyatt Moore
190 Avenida La Pata
San Clemente, California 92673
Feb. 8-May 1, by appointment
Classes
Loosen Up, a weekend workshop for painters
A repeat of the popular workshop given last November
San Clemente Center for the Arts
1531 N. El Camino Real
San Clemente, California 92672
To sign up, call (949) 369-6603
Click here for details.
Semi-Private Art Coaching for Painters
Mondays in Dana Point
Call for your two-hour slot, 949-290-8643
Printmaking Classes by Anne Moore
By appointment, 949-240-4642
New Brochure
Wall Solutions, a beautiful new brochure for Moore and Moore Art is off the press. It’s for sharing with art lovers with walls. For a free copy (or supply of them for sharing with others) write us at moore@hyattmoore.com.
4:27 pm
Oops. Just realized the the link from the e-mail introductory copy went to the “Loosen Up Workshop” instead of the “Studio/Home Show.” Sorry about that. Hope nobody ends up at the wrong place. Then again, we’d make the best of it.
4:38 pm
So lovely, Anne – and very enigmatic – great word… so where do we find prices?? I need one in the color of Solace (black couch, red chairs, you know,) but the shape of Sensibility – actually, two in similar styles, to add parenthesis to the mirror over the fireplace mantle that isn’t built yet…(they don’t have to wait for the mantle…)
your adoring sister,
sue
5:46 pm
Absolutely lovely, mysterious and complex. I want to dive into the colors, roll around in the intriguing layers and explore these worlds.
Where can I find prices?
Your friend,
Kathy
8:43 pm
We enjoy having your art work in our hallway. Each day it is refreshing to walk past and think of you and Hyatt and your time in Fresno………allan
9:07 pm
Once again – a great job on this newsletter. Anne your pieces are magnificent. One day I will own a piece.
You guys just ooze creativity and energy! You’r amazing.
Love,
Paul & Toni
9:55 pm
Really enjoy your pieces. They are inspiring and rich. Keep up the good work.
10:47 pm
Thanks for the visual treat on my otherwise functional computer screen, Anne. I particularly love the ones with tall figures and the ones with brilliant reds! Love and prayers, Linda Boehm
12:12 am
I think the most beautiful picture is the one of Anne in her studio. Love to you both. Al and Gwen
12:17 am
Your work is so free and yet very creative and intriguing. The colors are so rich and beautifully placed.
I hope to get by to see both your work and that of Hyatt’s up close and personal one of these days.
Thank you for these offerings.
7:18 am
Yes, I agree with Gwen- Anne, you make a great picture, in more ways than one. Lots of love to you both.
Annie
7:50 am
Your work keeps getting richer and more emotionally delightful, Anne. Hyatt, I always enjoy reading your newsletters and love the way you adore Anne and her art. You are both inspiring in so many ways.
5:54 pm
Seeing your picture Anne makes me realize how much I miss you! You are an amazing artist. We love the ones we have.
8:57 pm
Hi Anne, such wonderful work in that it inspires wonder. Favorites: “Momentary Achievement” and “Plumbing the Depths.” Your artwork commands a response. It calms and inspires thought. I love that.
Blessings to you both.
12:23 am
Well said, Gail …to Anne “your artwork commands a response. It calms and inspires thought…” That’s just what it’s like to be in Annes’s presence!
God’s love over you both ~
Kris
2:37 pm
Great work Mom! Nicole and I were just discussing how much we love the names of your art as well – you are so good.
7:46 pm
Love it! love it! so full of interesting expressions of your mind placed in a creative balance of color and wow!!!
12:47 pm
Hi Anne! It’s been a LONG time since we were introduced in Guate.; I think I was in 6th grade?! I just wanted to let you know I love the work you have here. I particularly like “Figuratively Speaking” and “Momentary Achievement”. I see the 3 figures in the foreground, symbolic of our Creator, to me.