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<\/a><\/p>\nThe valley below. A view back behind reveals winter ski runs everywhere.<\/p>\n
The house, lent to us for two weeks by friends . . . three stories, six bedrooms, way more than enough, but highly appreciated.<\/p>\n The prime living space.<\/p>\n The entry area where I set up my studio, lit from far above.<\/p>\n A little rearranging of the furniture, the use of kitchen counter space and the bringing of our own table and press; it’s all Anne needs.<\/p>\n Anne brings a lot of pieces not yet complete to contemplate what each one still needs.<\/p>\n Meticulous in her art, here she works on some detail.<\/p>\n Here’s a partial array of drying and completed work, or in some instances, not yet completed.<\/p>\n Meanwhile. across the room from Anne’s studio, is mine. With drop cloth everywhere, all paints and brushes ready. The large plywood, prepared for a coming event following this one, nearby, served as an easel for both small pieces and large.<\/p>\n The materials, acrylics on one side, oils on the other, brushes and palette knives and whatever else.<\/p>\n Here’s most of what I worked on and completed during the two weeks, a couple of commissions, figuarative work, landscapes, abstract, floral, ethnic, even a doggie.<\/p>\n My last painting. Almost all, this time, were painting on unstretched canvas, cut from a large roll I brought. So much easier to transport. They’ll be stretched later. Though sometimes they’re shipped just like this, the buyer then having it stretched during the framing process. Works fine.<\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n